Sarah process begins with the gentle application of pigment on textured
watercolour paper, gesso board or canvas which is placed flat, and this
surface is loosely brushed. The first coats of paint pigment react with this
ground, creating fluid pools of colour. Rather than work against these
abstract forms, Sarah uses them so that landscape emerges through
subsequent layers. Her painting and prints occupy a realm between an
observed encounter and her memory of a place.